Course for Mixing in Logic Pro X for iOS

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Do you want to know absolutely everything about mixing in Logic Pro X? Well, youve landed on the perfect course! This mixing masterclass by...

Do you want to know absolutely everything about mixing in Logic Pro X? Well, youve landed on the perfect course! This mixing masterclass by sflogicninja David Earl is, by far, the best Logic mixing course ever created. Check it out!Logic is a mixing powerhouse. Anything you can do in Pro Tools or any other pro DAW, you can do in Logic "Pro" and perhaps even better! In fact, Logic has more mixing magic built into its DNA than any other DAW on the planet and David Earl is here to prove it!This very deep course explores every aspect of creating the perfect mix in Logic Pro X. You learn the process, the signal flow, the tools, EQs, filters, vocal tips, reverb theory, drum replacement, compression, automation and so many other useful tips there just isnt enough room to write about all of it on this page!What makes this course even cooler is that David takes you fader-by-fader through the creative and technical process of constructing a Logic-style mix explaining every creative and technical choice he makes all along the way. There isnt a mixing course on the planet that even comes close!So learn everything there is to learn about mixing in Apples Logic Pro X from maestro David Earl. We guarantee that your mixes will benefit from the experience!Table of Contents:1. Introducing Mixing in Logic Pro2. Exploring the Mixer3. Importing Audio from Another Daw4. Getting Imported Audio Aligned5. Getting a Project Organized6. Setting up Groups7. Getting the Mix Started8. Panning the Mix9. Dynamics and the Kick10. Dynamics and the Snare11. Dynamics and the Toms12. Dynamics and the Overhead Mics13. Exploring the VCA Compressor Type14. the FET Compressor Type15. the Opto Compressor16. Linear vs. Channel EQ on a Kick17. Creating Harmonics with the Exciter18. Taking the Ring out of a Snare19. EQ on Keyboards20. Experimenting with Overhead Alignment21. Compressing Overhead and Room Mics22. Getting Creative with the Room Mic23. Adding the Lead Vocal Into the Mix24. Solving Problems with EQ and Gate25. Using Compression and EQ on a Vocal26. Exploring Spaces with PlatinumVerb27. Using Convolution Reverb28. Applying Reverb to a Snare Drum29. Adding Delay Effects to the Chorus Vocal30. Working with a Vocal in the Chorus of a Song31. Using Strip Silence to Eliminate Noise32. Replacing Drums33. Realtime Automation in Logic34. A Look at Offline Automation35. Automating Multiple Parameters36. Automating a Bus Send37. Automating Bus Plugin Parameters38. Using Groups with Automation39. Helpful Shortcuts for Automation40. Exploring Region-based Automation41. Using Flex Pitch to Adjust Timing42. Prepping Drums for Flex Time43. How to Use Phase-Locked Editing44. Applying Flex Time to the Drums45. Pre vs. Post Fader Metering46. A Quick Peek at Binaural Panning47. A Basic Explanation of Surround Mixing48. Conclusion