Roger Miller is best known for his humorous novelty songs, which overshadow his considerable songwriting talents as well as his hardcore honky tonk roots. After writing hits for a number of artists in the '50s, Miller racked up a number of hits during the '60s which became not only country classics, but popular classics as well.
Miller was born in Fort Worth, TX, but raised in the small town of Erick, OK, by his aunt and uncle, following the death of his father and his mother's debilitating sickness. Initially, he was attracted to music by hearing country over the radio as well as by his brother-in-law, Sheb Wooley. By the time he was ten, he earned enough money picking cotton to buy himself a guitar. At the age of 11, Wooley gave him a fiddle and encouraged him to pursue a performing career. Miller completed the eighth grade and left school to become a ranch hand and rodeo rider. Throughout his adolescence, he played music in addition to working the ranch. Soon, he was able to play not only guitar and fiddle, but also piano, banjo, and drums.
He enlisted in the Army during the Korean war and was stationed in South Carolina, where he met the brother of Jethro Burns who arranged an audition at RCA Nashville for him. Early in 1957, Miller left the army and auditioned for Chet Atkins at RCA. The session was unsuccessful, and he spent a year as a bellhop at a Nashville hotel. While in Nashville, Miller met George Jones and Pappy Dailey, who introduced him to Don Pierce, an executive at Mercury Records. Pierce signed Miller and had him cut three songs. His first single, "Poor Little John," disappeared without a trace. Following the failure of his first single, Miller continued to work at the hotel and tour with other musicians -- he played fiddle with Minnie Pearl for a short time, then he became the drummer for Faron Young. After a few months, he was signed as a songwriter for Tree Music Publishing and stopped performing as a supporting musician. Instead of playing music, he became a fireman in Amarillo, TX. The abandonment of performing was short-lived, however -- within a few months, he became the drummer for Ray Price's Cherokee Cowboys.
In 1958, Price recorded Miller's "Invitation to the Blues," and it went to number three. It was soon followed by three other successful versions of his songs -- Young's "That's the Way I Feel" and Ernest Tubb's "Half a Mind" both went Top Ten, while Jim Reeves had a number one hit with "Billy Bayou." That same year, Jones recorded "Tall Tall Trees" and "Nothing Can Stop My Love," which he had written with Miller; neither of the songs were hits. The following year, Reeves had a hit with another one of Miller's songs, "Home."
Since his songwriting career was flourishing, Miller decided it was again time to try to become a performing artist as well. He recorded a few tracks for Decca which weren't successful, and then he signed to RCA Records. "You Don't Want My Love," one of his first singles for the label, reached number 14 in early 1961, followed by the Top Ten "When Two Worlds Collide" later that summer.
Miller wasn't able to immediately follow the songs with another hit single. Two years later, "Lock, Stock and Teardrops" scraped the charts, and he left the record label.
Around that time, Miller moved to Hollywood began appearing regularly on The Jimmy Dean Show and The Merv Griffin Show, two of the most popular television programs in the country. His guest spots showcased his new style -- instead of concentrating on hardcore country, he had developed a willfully goofy persona, singing silly novelty songs. He signed a record contract with Smash Records and released his first single for the label, "Dang Me," in the summer of 1964. It was an immediate smash, vaulting to number one and spending six weeks at the top of the charts; it also crossed over into the pop charts, peaking at number seven. "Chug-a-Lug" followed a few months after it, reaching number three on the country charts