For general multicam shoots RE:Match matches, as best it can, one sequence's overall color appearance to match that of another. For stereo pairs, RE:Match can further refine the overall color match by taking into account that the two views are captured at the same time with a relatively small distance between the views. In addition, RE:Match is also able to propagate color changes into areas that are present in only one view. RE:Match can also make other details, such as reflections, specular highlights, and lens flares be consistent between the two views.
What's new in this version:
- Version needed to run in AE CC 2015
- Fixes Histogram method 2 to work much better in both RE:Match Color and RE:Match Stereo.
- Better results when refinement mode used in RE:Match Stereo
- Adds support for RVL_NOGUI_LIC and RVL_QUIT_LIC_FAIL environment variables during render-only use in After Effects.