A friend asked me a few days ago if he should spray-paint his Canon EOS 500D white with black accents so it'll look like a Stormtrooper. I told that him an easier way would be to get the Pentax K-x, which comes in a similar shade. However, he has already invested in a Canon system, so the only way to get a white EOS 500D is to paint it.
You don't have to be drunk to act like an idiot. We prove that week in and week out. But it certainly doesn't hurt, either! If you're going to be a drunk idiot this St. Patties Day, you will want to check out this very special episode of Gadgettes.Subscribe with iTunes (audio) Subscribe with iTunes (video) Subscribe with RSS (audio) Subscribe with RSS (video) EPISODE 177 Bottle opener cufflinks: be prepared! Set of Five Star Wars Cantina Band Wine Stoppers Geek Squad wants to save me from myself Chatroulette being used for marketing… Read more
With the debut of theNikon D90, a third and mysterious L firmware module appeared below the A and B readouts on the . Until now, no one has really known what it was for.
Estimable former CNET freelancer and prolific book author David Busch took the time to solve the mystery and share the results in his blog: it's for the updateable lens database. Not the most thrilling news in and of itself, but interesting when you consider that it can also hold lens-specific distance information, which can theoretically improve performance of many of the subsystems, such as … Read more
The photography world is beginning to adapt to a new phase in the marriage of cameras and computing technology: the arrival of SLRs that can shoot not just still images, but video too.
The change began with the arrival of image sensors, the light-sensitive microchips that replaced film. Now, two new SLRs--Nikon's D90 and Canon's EOS 5D Mark II--are taking another step away from the film paradigm, following in the footsteps of point-and-shoot cameras by recording continuous video and not just still images. Doubtless video will gradually spread to other SLR models and makers.
"This camera is the ultimate 'equalizer'--you no longer need half-million dollars' worth of high-definition video cameras and lenses delivered by a truck with its own driver to shoot a high-definition film in low light--you just need a $2,700 camera and a few lenses," gushed professional photographer and Canon adviser Vincent Laforet in a blog post about a 5D Mark II prototype.
But not everything will be simple for Laforet wannabes excited by the new possibilities. Hardware, software, Web sites, and perhaps most of all, technique all must catch up to the new technology.
Though how-to book authors have yet to weigh in, there are signs the adaptation has begun. Take the case of video hosting. … Read more
Apple's photography software now can accommodate raw images from some newer digital cameras through the release of Digital Camera Raw Compatibility Update 2.3.
Specifically, the update to iPhoto '08 and Aperture 2 means that the photography software can deal with raw images from three prominent new digital SLR (single-lens reflex) cameras: Canon's midrange EOS 50D, Nikon's video-enabled midrange D90, and Sony's ambitious 24-megapixel full-frame Alpha DSLR-A900.
Also supported is Nikon's high-end compact camera, the Coolpix P6000.
Raw images are taken directly from higher-end cameras with no in-camera processing into a JPEG. That means photographers … Read more
Adobe Systems has updated Photoshop's ability to deal with raw-format images from several of the latest SLR cameras with its new version 4.6 of the Camera Raw plug-in. Adobe's John Nack has the download links.
Less than a month after beginning beta testing, the final version is out with support for Canon's newer entry-level EOS Rebel XS, its brand-new midrange EOS 50D, Nikon's freshly released midrange D90 and full-frame D700, Pentax's newest entry-level model, the K2000, and Sony's ambitious 24-megapixel full-frame Alpha A900.
Also released is a new version of the DNG Converter … Read more
New beta software for Adobe Systems' Photoshop means those with Nikon's latest SLRs, the mid-range D90 and higher-end, full-frame D700, now can handle those cameras' raw files with the company's widely used image-editing software.
The update includes unofficial, preliminary support for Canon's 50D, a mid-range SLR due to ship in October, Canon's new low-end Rebel XS, Sony's ambitious full-frame Alpha A900 SLR due in November, the … Read more
The Nikon D90 arrived on Wednesday, and since we've had some great weather this week here in NYC, I immediately headed out to Madison Square Park to shoot a few hundred photos and start to get a feel for the camera. Then I passed it back to Matt F. for some initial performance testing. (Here's a slide show with some photo samples.) My first impression? For a sub-$1,000 model, the D90 is verrrrry nice.
First up, the D90's movie capture. I shot the flags blowing in the breeze and a fountain that I typically use to test camcorder and camera video. (Unfortunately, I can't display those here without compressing them in a way that defeats the purpose of showing them.) The clips themselves look OK, although for some reason Nikon bumps up the saturation beyond the photo settings, and I wish the camera shot 30fps instead of 24. You also need three hands if you plan to use the zoom--which requires manually focusing--because it's hard to hold this relatively heavy dSLR out in front of you steadily while videos shooting in Live View. But I like the creative potential of the mode and look forward to shooting with it some more. … Read more
The much-rumored and even more longed-for update to the Nikon D80 has arrived. Or will, in a couple of weeks. The Nikon D90 doesn't replace the popular D80, which moves down Nikon's dSLR product line, and unsurprisingly, provides some significant enhancements over that 2-year-old model. Most notably, the D90 is the first digital SLR to support movie capture.
Though its movie-capture specs aren't too shabby--24fps 1280x720 motion JPEG and support for VR optical image-stabilization if the lens has it--D-Movie still doesn't match the best of the snapshot-camera movie modes.
For instance, exposure is fixed for the length of the clip, it has monaural sound, and you can only focus manually while shooting. HD clips are capped at five minutes, likely to keep the sensor from overheating since movie capture operates in Live View mode. Still, this has been a long-awaited feature in the entry-level segment, since it's one of the two important most features users have had to sacrifice when moving up to dSLRs (the other being pocketability).… Read more
Though he doesn't spill where he got the information, author Thom Hogan is usually a relatively reputable source of Nikon leaks rumors. The latest whisperings to come out of his mill are about the replacement for the D80. Although he mentions that Nikon's first quarter financial meeting is this week, he doesn't explicitly draw the cynical connection that my brain's making about the timing of this information.
But anyway...he claims the D90 will have a 12-megapixel sensor, shoot about 4.5 frames per second, and have a Live View mode that shoots video. Cool, if … Read more